[Compositions 2016]
Composition 2016.01 (Untitled) is based on a six-note tone-cell of C - D# - F# - G# - A - A# - and consists of a repeating tone - and fading bichords. The composition was first performed at the Poetronica Festival curated by Pavel Zhagun - National Centre for Contemporary Arts - Moscow - 15.12.2016.
Composition 2016.02 (Untitled) is based on a six-note tone-cell of C - C# - D# - F# - G# - A# - and consists of repeating fading tones - separated by silence.
Composition 2016.03 (Untitled) consists of a continually repeating tone and fading sounds.
Composition 2016.04 (Untitled) consists of a repeating tone and fading sounds - separated by silence.
Composition 2016.05 (Untitled) consists overlapping fading sounds.
[Compositions 2017]
Composition 2017.01 (Untitled) [25.36] [Memento Mori]Composition 2017.01 (Untitled) is based on a four-note tone-cell of C1 - C2 - D#2 - C3 - and consists of repeating sounds separated by silence.
Composition 2017.02 (Untitled) is in the form of a palindrome - and consists of fading sounds separated by silence.
Composition 2017.03 (Untitled) is based on a four-note tone-cell of C - C# - D# - and F# and consists of a continually repeating bell-like sound - plus fading tones The composition was first performed at Iklectik - London - 11.10.2017.
Composition 2017.04 (Untitled) is based on a seven-note tone-cell of C - D - D#3 - F#2 - G# - A#2 - B - and consists of single tones and bi-chords. The composition was first performed at Corpora Aliena - Iklectik - London - 30.03.2019.
Composition 2017.05 (Untitled) is sparsely textured - and consists of repeating fading tones separated by silence
[Compositions 2018]
Composition 2018.01 (Untitled) consists of a repeating tone and fading sounds separated by silence. The composition was first performed at Corpora Aliena - Iklectik - London - 23.1.2019.
Composition 2018.02 (Untitled) consists of a continually repeating tone and fading sounds.
Composition 2018.03 (Untitled) is based on a tone-cell of C1 - D#2 - F#2 - C3 - and consists of a continually repeating harp-like sound and fading tones.
Composition 2018.04 (Untitled) is based on the tone row from Anton Webern’s Variations Opus 27 (1936): Webern's composition is a seminal work in the realm of twentieth-century music - particularly noted for its use of twelve-tone technique which he gained from his teacher Arnold Schoenberg. Webern often employs rests and pauses - giving his music a unique sense of space and silence - which is evident in this work - as well as in Composition 2018.04 (Untitled).
Composition 2018.05 (Untitled) [25.36] [Rational Thought]Composition 2018.05 (Untitled) is based on a six-note tone-cell of C - C# - D# - F# - A - and A# - and consists of fading tones and bichords. The composition was first performed at Poetronica - curated by Pavel Zhagun - National Centre for Contemporary Art - Moscow - 21.04.2018.
[Compositions 2019]
Composition 2019.01 (Untitled) is based on a tone-cell of C1 - C2 - E2 - G2 - D#3 - and consists of forty tetrachords - with each of the tetrachords having a common tone of C (either C1 - C2 - C3 or C4).
Composition 2019.02 (Untitled) consists of a continually repeating tone of C2 - and fading tones of C2 - C3 - and C4. The composition was first performed at XOLO Space Generators #3 - Curated by Edward Griffiths - London.
Composition 2019.03 (Untitled) is sparsely textured - and consists of repeating fading tones separated by silence. The composition was first performed at Corpora Aliena - Iklectik - London - 13.07.2019.
Composition 2019.04 (Untitled) is based on a tone-cell of C1 - C2 - and C3 - and consists of a short repeating bell-like sound and fading tones separated by silence.
Composition 2019.05 (Untitled) consists of fading sounds separated by silence. The composition was first performed at the Sonic Electronics Festival - curated by Laura Netz - Iklectik - London - 31.05.2019.
[Compositions 2020]
Composition 2020.01 (Untitled) [28.48] [The Question Concerning Technology]Composition 2020.01 (Untitled) is based on a three-note tone-cell of C - E - G# - and consists of fading tones and bichords. Artificial intelligence was used to determine the length of the sounds.
Composition 2020.02 (Untitled) is based on the hexachord from Arnold Schoenberg’s ‘Ode to Napoleon Op.41’ (1942) - and consists of hexachords and fading tones. The notes of the hexachord are C - C# - E - F - G# - and A.
Composition 2020.03 (Untitled) [25.36] Eternal Return]Composition 2020.03 (Untitled) is based on a three-note tone-cell of C3 - C4 - C#4 - and consists of a continuous drone and repeating fading sounds. The composition was first performed at Corpora Aliena - Iklectik [off-site] - 23.09.2020.
Composition 2020.04 (Untitled) [25.36] [Unknown Metaphysics]Composition 2020.04 (Untitled) is in the form of a palindrome - and consists of two slowly pulsing drones and fading sounds.
Composition 2020.05 (Untitled) consists of a continuous drone of C1 - and repeating fading tones. The composition was first performed at Corpora Aliena - Iklectik [off-site] - 23.09.2020.
Composition 2017.04 (Untitled) is based on a seven-note tone-cell of C - D - D#3 - F#2 - G# - A#2 - B - and consists of single tones and bi-chords. The composition was first performed at Corpora Aliena - Iklectik - London - 30.03.2019.
Composition 2017.05 (Untitled) is sparsely textured - and consists of repeating fading tones separated by silence
[Compositions 2018]
Composition 2018.01 (Untitled) consists of a repeating tone and fading sounds separated by silence. The composition was first performed at Corpora Aliena - Iklectik - London - 23.1.2019.
Composition 2018.02 (Untitled) consists of a continually repeating tone and fading sounds.
Composition 2018.03 (Untitled) is based on a tone-cell of C1 - D#2 - F#2 - C3 - and consists of a continually repeating harp-like sound and fading tones.
Composition 2018.04 (Untitled) is based on the tone row from Anton Webern’s Variations Opus 27 (1936): Webern's composition is a seminal work in the realm of twentieth-century music - particularly noted for its use of twelve-tone technique which he gained from his teacher Arnold Schoenberg. Webern often employs rests and pauses - giving his music a unique sense of space and silence - which is evident in this work - as well as in Composition 2018.04 (Untitled).
Composition 2018.05 (Untitled) is based on a six-note tone-cell of C - C# - D# - F# - A - and A# - and consists of fading tones and bichords. The composition was first performed at Poetronica - curated by Pavel Zhagun - National Centre for Contemporary Art - Moscow - 21.04.2018.
[Compositions 2019]
Composition 2019.01 (Untitled) is based on a tone-cell of C1 - C2 - E2 - G2 - D#3 - and consists of forty tetrachords - with each of the tetrachords having a common tone of C (either C1 - C2 - C3 or C4).
Composition 2019.02 (Untitled) consists of a continually repeating tone of C2 - and fading tones of C2 - C3 - and C4. The composition was first performed at XOLO Space Generators #3 - Curated by Edward Griffiths - London.
Composition 2019.03 (Untitled) is sparsely textured - and consists of repeating fading tones separated by silence. The composition was first performed at Corpora Aliena - Iklectik - London - 13.07.2019.
Composition 2019.04 (Untitled) is based on a tone-cell of C1 - C2 - and C3 - and consists of a short repeating bell-like sound and fading tones separated by silence.
Composition 2019.05 (Untitled) consists of fading sounds separated by silence. The composition was first performed at the Sonic Electronics Festival - curated by Laura Netz - Iklectik - London - 31.05.2019.
